
FILM CRITIC HULK is a unique writer who uses all caps and “Hulk speak” to analyze movies, filmmaking and the way we consume movies. He allegedly works in the film industry with his real name, and he uses the comic book influenced pseudonym for all of his critical writing. He put together a book length treatise on the art of screenwriting that offers keen insight on story telling in general. Beware, getting past the CAPS LOCK WALL takes some practice.
Instead of giving a book report, recapping all of Hulk’s points, I’d like to highlight a few points that are clearly applicable to story-telling outside of the screenplay medium. The full post has seven parts:
- What is a Story?
- Where to Find Inspiration?
- 6 General Stuffs You Need to Know Beforehand
- How to Tell a Story – Conceptually
- How to Tell a Story – Structurally
- How to Tell a Story – Screenplay-Specific Instruction
- Now Here Comes the Hard Part
Hulk points out that, ” A GOOD NARRATIVE IS COMPELLING TO THE AUDIENCE, ECONOMICALLY TOLD, FEELS REAL EITHER IN TERMS OF EMOTION, DETAIL, OR TEXTURE, AND SPEAKS TO SOME THEMATIC TRUTH THAT YOU RECOGNIZE IN YOURSELF OR THE WORLD AT LARGE.” In the business world, this translates to making sure your audience is engaged in your subject and explaining it in a way with which the audience can identify. We all need to make persuasive arguments in the office, often to diverse audiences. The narrative that wins over a colleague to your point of view may not speak to your boss in the same way.
Hulk also points out that the most important force in telling a story is empathy. This is especially true when making a persuasive argument to a coworker over who you have no direct authority. Framing an argument as a story that the other party can relate to goes a long way toward getting your point across.
Hulk repeatedly derides constrictive structural rules when telling a story. Professors Noonan and Smith have mentioned the same point in regards to presentations. We covered the basic structure that would make a successful slide deck, but it’s important to bend the guidelines if it adds to the story or presentation.
I highly recommend all of Hulk’s writing, although it can get pretty long winded. Now I’ll just leave this right here:
